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Glass Beads

 

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Roman glasswares were fashioned by the core technique. A mixture of clay and dung was fixed to a metal rod and given the internal shape of the desired vessel. It was dipped into a crucible of molten glass or was wound with threads of glass. The object was constantly reheated and smoothed on a flat stone. Threads of different colored glass were trailed on and combed, creating striking feather patterns, as seen on Egyptian glass of the 18th and 19th dynasties.

Glass, an amorphous substance made primarily of silica fused at high temperatures with borates or phosphates. Glass is also found in nature, as the volcanic material obsidian and as the enigmatic objects known as tektites.

Blown glass can also be shaped with molds: Part-size molds pattern the gather, which is then removed and blown to the desired size. Full-size molds into which the gather is entirely blown impart size, shape, and decoration. Additional gathers may be applied and manipulated to form stems, handles, and feet, or they may be trailed on and tooled for decoration.



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After careful preparation and measurement, the raw materials are mixed and undergo initial fusion before being subjected to the full heat needed for vitrification. In the past, melting was done in clay pots heated in wood- or coal-burning furnaces. Pots of fireclay, holding from 0.5 to 1.5 metric tons of glass, are still used when relatively small amounts of glass are needed for handworking. In modern glass plants, most glass is melted in large tank furnaces, first introduced in 1872, that can hold more than 1000 metric tons of glass and are heated by gas, oil, or electricity. The glass batch is fed continuously into an opening (doghouse) at one end of the tank, and the melted, refined, and conditioned glass is drawn out the other end. In long forehearths, or holding chambers, the molten glass is brought to the correct working temperature, and the vitreous mass is then delivered to the forming machines..

Some pressing was involved in the production of ancient cast wares to ensure that the glass had full contact with the mold. Islamic artisans used simple handpresses to form glass weights and seals. European manufacturers rediscovered the technique in the late 18th century, using it to make decanter stoppers and the bases of stemmed tableware.

Europe and Britain continued to produce utilitarian vessels, some of new, robust forms. The decoration of these objects was limited to simple molded patterns, threading, and applied ornaments such as prunts (blobs of glass). Mostly green in color, the glass was at first a soda-glass composition made with ashes of marine plants imported from the Mediterranean, as they had been during Roman times.

Western glassmaking in the medieval period, through patronage of the church, was mosaic glass in Mediterranean Europe and stained-glass windows in the north.

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