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Typical art objects of the 1st millennium bc were plaques in the form of stags or other animals, hammered or stamped out of gold and often inlaid with colored stones or glass. Large plaques were mounted on bridles or quivers; small ones were attached to clothing. Plaques, bowls, and personal jewelry of the 5th and 4th centuries bc were often made by Greek artisans and combined the richness of Greek composition and technique with Scythian motifs.

The Byzantine nobility wore jewelry in lavish profusion. This practice is evident in the 6th-century mosaic portrait of Empress Theodora in the Church of San Vitale in Ravenna, Italy.



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A common type of Byzantine earring had a crescent shape executed in gold repoussé openwork with a central cross in a circle flanked by peacocks. The favorite breast pendant was the cross; another type was a jeweled pendant. Most finger rings bore Christian symbols, and the extant examples are more often made of gilded bronze than of gold. Enamel work, especially cloisonné enamel, was refined to a high degree in Byzantine culture and had a strong influence on European jewelry of succeeding periods.

Barbarian tribes from eastern Europe, who were skilled at metalwork, combined such elements of the Roman artistic tradition as gold filigree and the fibula form with the Byzantine cloisonné tradition. They also introduced their own regional variations. For example, the fibular, pinlike brooch style became a circular one; these revised-style brooches have been found in Gaul (France) and Scandinavia.

In europe, pearls and also glass beads, manufactured since the 13th century, were popular both for jewelry and embroidery.

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