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Indian jewelry—including gold fillets and earrings, bead necklaces, and metal and pottery bangles—was produced in the Indus Valley before 1500 bc. Later, medieval sculpture depicts men and women wearing heavy necklaces, bracelets, girdles, and earrings. Today Indian goldsmiths, expert in the techniques also common in the West, produce enameled, soldered, granulated, and filigreed work of great refinement. Some of the best work, especially silver filigree, is produced in Cuttack, Kashmir, and Bengal.

Fine historic examples of Indian work shown at the Victoria and Albert Museum include a crescent-shaped gold brooch with granulated gold balls and pendants and gold and enameled turban ornaments from Jaipur, Rajputana.

Illuminated manuscripts indicate that in Persia both men and women wore rich jewelry—head-gear, necklaces, and earrings. The characteristic material was enameled gold; the main center for this work was Shiraz. The same technique is often employed today in the making of the charms and amulets common in Iran.



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Under the Chinese Empire, jeweled emblems such as the buttons on the hats of mandarins indicated rank, and extremely elaborate silver and gold filigree headdresses were worn by women of high position. Dragons, phoenixes, and many Buddhist symbols were used as decoration or charms on necklaces, rings, and bracelets. Outstanding examples of Chinese jewelry are exhibited at the Freer Gallery of Art, Washington, D.C. The gold and silver jewelry of Nepal, Myanmar (formerly known as Burma), and Thailand is related to Indian and Chinese work and is also outstanding.

South American metalworking began in the Andes and gradually spread north to Mexico. Intricate casting techniques were used for personal and ceremonial ornaments. The themes were almost exclusively religious, with an emphasis on masks. Mosaic inlays featuring turquoise originated in Peru before 700 ad and were common in Mexican jewelry by the 14th century. A characteristic object was the breast ornament, often constructed out of hammered and cast elements soldered or riveted together and enriched with cast thread decoration.

In addition to the work of the ancient Egyptians already discussed, northern Africa is noted for the silverwork, plain and enameled, of the Tuareg and other desert peoples.

An analysis of these comments has led me on a quest to find the definition of "production work".

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